Can Must Know (2019)
In the performative intervention Können Müssen Wissen – Can Must Know, fundamental parameters of artistic practice in general, and of performance art in particular, are formulated and subjected to critical questioning. Art as a thing, as a biographical encounter and the site of a shared, physical experience is at the centre of this confrontation, which is […]
Timon (2019)
Timon is a performative essay on patriarchy and its effects on male emotions. It is based on Shakespeare’s drama Timon of Athens, in which the protagonist, deeply disappointed and speechless, shuts himself away from the world after his carefully nursed network of all-male political and business friendships has failed. The performance asks how our perception of masculinity […]
42 (2019)
To date, no one really knows what information, what knowledge a body stores in the course of its development. So how can we think of this body – the whole body, not just the brain – as an „archive“? Last summer Anne Juren, explored tongues, speech and sexual organs in her series Private Anatomy Lessons […]