ANATOMIE

ImPulsTanz Wien

28-29 July

ON TOUR:

London, October 21st @ The PlaceLondon, 

Brussels, November 17th and November 18th KAII Theater Brussels

Choreographer and performer: Anne Juren
Artistic Collaboration: Vladimir Miller
Sound Engineer: Paul Kotal
Dramaturgy: Camille Chanel
Operations Manager: Alexander Matthias Kosnopfl

A Production by Wiener Tanz- und Kunstbewegung and
Impulstanz. 

Supported by the cultural department MA7 by the city of Vienna. Co-funded by the Creative Europe Programme of the European Union. LONDON event supported by the Austrian Cultural Forum and BMEIA.

In her Studies on Fantasmical Anatomies, Anne Juren attempts to expand the imagination of the body and its boundaries by proposing a textual landscape in which the choreography is placed inside the body of the spectator. The performance distorted the membranes of the spectator in order to travel the inner and unknown parts of its body. Doing this, it imposes an unreading of what a body is and where its borders are and disrupts the logic of anatomy by creating unexpected relations. During this trip inside its own body, the spectator is engaged in different states of kinaesthetic, sensorial, mental and cosmic cannibalistic experiences. A landscape of phantasmagoric and delirious spaces is opened, where dysfunctional relations and unimaginable actions can take place, troubling the relations between inner and outer sensations. In writing this piece Juren worked visual impaired and blind people conducting interviews and collecting responses on physical impressions, kinesthetic reactions and visual images. These texts contribute to the inner landscape which is traversed during Juren?s performance proposing disorientation as an experimental way to reestablish unsuspected and improbable relations between body and mind, imagination and sensation, experience and language, action and non-action.

For Anatomie, Anne Juren invited visual artist Vladimir Miller to create a fragmented landscape of architectural objects, a shifting space space which can be entered as strange body.

CONSUMPTION AS CAUSE

OF COMING INTO BEING

brut Wien

5-6 April 

 

ON TOUR:

Impulse Theater Festival@ Mülheim an der Ruhr,

22nd and 24th of June 2018

Consumption As A Cause Of Coming Into Being bezieht sich auf den Titel eines Essays namens Destruction as the Cause of Coming into Being, der im Jahr 1912 von Sabina Naftulowna Spielrein veröffentlicht wurde. Den Todeswunsch beschreibt Spielrein, eine der ersten Psychoanalytikerinnen, als einen integralen Bestandteil der Libido und die Libido selbst als eine Energie, die unterbewusst unsere täglichen Routinen beeinflusst. Im Jahr 2001 wurden diese Routinen durch einen kannibalistischen Akt gesprengt: Im deutschen Rotenburg führten die Leidenschaften zweier Menschen zu unumkehrbaren Folgen. Das verlockende Versprechen, sexuelle Fantasien wahr werden zu lassen, führte zu einer Implosion von moralischen und ethischen Standards. Inspiriert von dieser Grenzerfahrung suchen Rauschmeier und Bailey nach einem alternativen und kritischen Paradigma, das die libidinöse Energie dieses grausamen Ereignisses in den künstlerischen Kontext umlenkt und sich zum Ziel setzt, einen Beitrag zum feministischen Diskurs zu leisten

Performance : Alex Bailey, Roland Rauschmeier
Setdesign, Kostüme, Requisiten : Alex Bailey, Roland Rauschmeier
Sound: Pasi Antero Mäkelä
Dramaturgische Beratung : Camille Chanel, Richard John Jones
Management : Alexander Matthias Kosnopfl
Technik : Andreas Lendais

Eine Koproduktion von Wiener Tanz- und Kunstbewegung und brut Wien.

Mit freundlicher Unterstützung der Kulturabteilung der Stadt Wien.

Dank an Elizabeth Ward, Krõõt Juurak, Anne Juren, Karin Seidel, Gerhard und Regina Schiefer, Phillip Schweiger, Christian Stoppacher, Lise Lendais, Susanne Bytyqi-Lawson, Dr. Matthias Berkemeyer, Viktor Schlosser, Tellervo Kalleinen, Oliver Kalleinen-Kochta, Christoph Bruckner, Fouad Asfour, Manfred Unger.

STUDIES ON FANTASMICAL ANATOMIES

End Fest

Oper Stockholm

10 March

In her ”Studies on fantasmical anatomies” Anne Juren attempts to expand the contextual boundaries of the term choreography by proposing a creative imaginative space in which the choreography is placed inside the body of the spectator.

Led by a voice, the performance distorted the membranes of the spectator in order to travel the inner and unknown parts of its body. Doing this, it imposes an unreading of what a body is and where its borders are and disrupts the logic of anatomy by creating unexpected relations. The performance attempts to destabilize and deconstruct the individualistic ideologies, and move away from the desire of privacy, normative patterns and logical relationships. During this trip inside its own body, the spectator is engaged in different states of kinesthetic, sensorial, mental and cosmic cannibalistic experiences. A landscape of phantasmagoric and delirious spaces is open, where dysfunctional relations and inimaginable actions can take place, troubling the relations between inner and outer sensations.

Concept, choreography and performance: Anne Juren
Set Design: Vladimir Miller
Light Design: Bruno Pocheron
Foley Sound: Céline Bernard
Assistant: Camille Chanel


A Production by Wiener Tanz- und Kunstbewegung
Supported by the cultural department MA7 by the city

of Vienna.

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